When Von Spar made their critically acclaimed entrance in the pop circuit in 2003 (e.g. coverstory in Spex Magazine) they were regarded as the German answer to the Post-Punk/No-Wave-renaissance. But their debut was more a clever parody about eighties-style-hipster-bands.
Three years later and wiser the supergroup (with members of Urlaub in Polen, Oliver Twist, Aggro Cologne) returns with an uncompromising album that gets ahead of all expectations and will surprise their audience and critics who will be shocked.
This is not a band following the latest trend. Detached from the usual style issues Von Spar have exorsized the Zeitgeist and overtaken the discourse. There is no scheme. Anything goes. Their new musical language is inspired by seventies Krautrock taking lines of flight to Fluxus art, Minimal Music and early TripHop. Apart from ringtone-compatible hits Von Spar reanimate the classical album-format. The two 20-minute long songs combine the spirit of exploration from Can and Kraftwerk with the conceptual aesthetics of Steve Reich and John Cage and techniques of dark, psychedelic multi-layering by Neurosis and Bohren & Der Club of Gore.
All references are permantly ruptured, adopted and newly interweaved. With two new members the five-headed pack recorded in the legendary Electric Avenue Studio, Hamburg, with producer Tobias Levin (Tocotronic, Blumfeld, Kante). Tomlab offers the congenial platform for this unusual journey. The new album of Von Spar reclaims music as a truthful place for concentration and collective energy from which newness enters the world.